Production music refers to music which is owned by production music libraries.
Usually the music is composed particularly for use in Film, TV, Radio, multimedia as well as Business.
Since these libraries generally own all of the rights in the music they can licence it right without the need to have to gain permission from composers or perhaps writers. It can thus be licensed immediately with an obvious cost to the end user.
17VIP of a production music library is that it can cater to a wide variety of musical styles as well as themes with numerous libraries holding ten of a huge number of cuts and tracks.
Production music gives producers and directors a platform from which to choose audio which is suitable for their brief or project. Libraries often have tracks relevant to current musical genres, styles, charts and culture. Many libraries are going to hold music across the whole spectrum of music history and include Classical, Jazz, Blues, Rock n Roll, Dance and Reggae – amongst a host of contemporary themes or collections created for business or media applications.
The convenience factor means that anyone who needs production library music is able to pick from a huge assortment of styles, access the audio from one location and know just how much it’ll cost. Most libraries have Rate Cards so producers can budget for the prices of a project in advance.
Their can also be the peace of mind that lots of libraries will almost always have a piece of music suited for the project of course, if not will allow you to to find some. Many will even offer custom music production services.
History of Production Music
Typical music for production has been in existence since the days of silent cinema. In those days the audio was supplied in form that is written and sent over to small orchestras and bands who’d perform the good living in time with the film.
Since then many production music companies have established audio and sound libraries. These include Boozy & Hawkes, Cavendish, Sonoton, Extreme Music, EMI, Sony BMG, KPM, de Wolfe and Many others.
Traditionally, music libraries sent out the music collections of theirs on CD. These days it is much more apt to be used via the internet, file downloading, hard disk or CD’s, CD Rom, DVD-Rom
Production Music Online
The Internet has enabled music for production to be distributed online via downloading. It has also presented a platform for new organizations and libraries to set up independently.
There are actually a lot of production music libraries online. The price tag and quality is able to vary enormously as can the actual license terms or use of the music. However production music downloads now appear to be the preferred method for a lot of media professionals around the planet.
Royalty Free Music
Royalty free music varies slightly to the attributes of production music.
Production music has generally been licensed on a pay-per-use basis. That is you pay for every single use of the music – If you want to utilize music on a television show then you license the rights for that. If you desire to also use that music on an interactive CD-Rom then you will want to license those rights.
Royalty free music on the other hand offers customers a way of buying a CD of the music which can then be used as many times as you like without any further payments or even fees.
However the Internet along with other issues has meant that a great many royalty free music libraries now operate similar to traditional production music libraries and the other way round.
This’s probably due to the growth of independent music libraries who can create their very own finance and license models according to their very own marketplace requirements.
Sync Fees and Dub Fees
A fee for the licensing of the music of theirs is charged by a Production music company. This is typically referred to a’ Synchronization Fee’ or’ Dub Fee’. This’s among the main income streams for music libraries.
Performing Rights Organisations
Performing Rights Organisations (PRO’s) protect, administer and collect performance royalties on behalf of its member composers, artists and publishers.
Performance royalties are generated when music is broadcast on TV or Radio or even played in public places like other business spaces and restaurants.
Music that is publicly performed or even broadcast has to be licensed. For example a broadcaster including the BBC or SKY has to pay to broadcast music as do restaurants, shops and users of music on hold systems and others.
These licenses are issued by PRO’s to music users whenever music is broadcast to the public. The revenues from these licenses will be collected and split up between all of the members of that particular PRO.
Most countries have their own PRO like PRS (UK), ASCAP (USA), GEMA (Germany). Many countries have a lot more than one.
See the FULL LIST of Performing Rights Organisations
Music libraries are usually also music publishers. Their musical works are published via a PRO and any broadcast or public performance of that music will accrue performance royalties.